Graphic Design I

Projects

Point, Line, Plane

Students were asked to choose a word and then use points, lines and/or planes in order to construct the chosen word in an expressive way. Students were allowed to use physical, digital, or gestural processes during this exercise.

Point, Line, Plane
Point, Line, Plane
Point, Line, Plane
Point, Line, Plane
Point, Line, Plane
Point, Line, Plane
Point, Line, Plane
Point, Line, Plane
Point, Line, Plane
Point, Line, Plane
Point, Line, Plane
Point, Line, Plane

Big from Small

Students were asked to choose a group of elements that are somewhat related, and start creating small silhouettes of them. Students could later repeat and arrange these small silhouettes in such a way that was going to allow them to create a bigger picture with the representing object being somewhat related to the smaller ones.

All works are created without using the computer. Students were encouraged to use tracing and paste up techniques as well as incorporating analog methodologies.

Big From Small
Big From Small
Big From Small
Big From Small
Big From Small
Big from Small
Big from Small
Big from Small
Big from Small

3 Book Covers for Dr. Jekyll and Mr. Hyde

The students task was to design three book covers for Robert Louis Stevenson’s Novel “Dr. Jekyll and Mr. Hyde.” All students had to work within the limitations of a specific grid template prepared for this assignment.

At least one of the following contrasts had to be present in each composition:

– Contrast of saturation
– Contrast in value (light and dark)
– Contrast of hue
– Complementary contrast
– Warm/cold contrast

3 Book Covers for Dr. Jekyll and Mr. Hyde
3 Book Covers for Dr. Jekyll and Mr. Hyde
3 Book Covers for Dr. Jekyll and Mr. Hyde
3 Book Covers for Dr. Jekyll and Mr. Hyde
3 Book Covers for Dr. Jekyll and Mr. Hyde
3 Book Covers for Dr. Jekyll and Mr. Hyde
3 Book Covers for Dr. Jekyll and Mr. Hyde

Figure and Ground in Typography

By consulting the assignment template provided, students had to create 9 precise identical squares in three rows and three columns. Each square should be exactly 3” x 3.”

Inside each square. students had to create interesting black and white (figure/ground) relationship between leterforms and the negative space. Students could draw leterforms sometimes in black and sometimes in white. Students could consider drawing a hint of each letter identity and not the whole letter. Students were strongly encouraged to attempt to make individual squares designs integral part of the whole composition consisting of nine identical areas (squares). This could be achieved by manipulating leterforms and shapes (both positive and negative) inside of the individual squares giving special attention to the edges of the square area. Students had to think of the individual square edges as a continuation or extension (flow) to the next square area.

* All work is created without using the computer or software. Emphasis have been given to the analog processes and techniques.

Figure and Ground in Typography
Figure and Ground in Typography
Figure and Ground in Typography
Figure and Ground in Typography
Figure and Ground in Typography
Figure and Ground in Typography
Figure and Ground in Typography
Figure and Ground in Typography
Figure and Ground in Typography

Hierarchy

This exercise was intended to familiarize students with the concepts of typographic hierarchy and layout – in an abstract way – without the use of typesetting software or any type at all. The various thicknesses and lengths of the lines represent the text (Title, subtittle and main copy). Students were invited to create interesting visual hierarchy in each one of the squares, while experimenting with spacing and position (layout).

Hierarchy
Hierarchy
Hierarchy
Hierarchy
Hierarchy
Hierarchy
Hierarchy

One Element, Many Patterns

Devise a single element, such as a dot, diamond, squiggle, or square. Copy and repeat the element in columns or rows to make an overall pattern. Vary the spacing of the elements in the rows to create variation. Continue to create new variations by varying the size of the elements, by creating overlapping rows of elements, and changing the color, size, and orientation of elements.

One Element, Many Patterns
One Element, Many Patterns
One Element, Many Patterns
One Element, Many Patterns
One Element, Many Patterns

Modular Alphabet

In this project, students were asked to create a modular typeface using limited number of modules. By transforming the modules (rotating, scaling proportionally, etc) students were able to create a typeface that has both variety and consistency.

Modular Typeface
Modular Typeface
Modular Typeface
Modular Typeface
Modular Typeface
Modular Typeface
Modular Typeface
Modular Typeface
Modular Typeface